The Social Network Compare and Contrast free essay sample

They are similar and different in the way that Eduardo is social and Mark is not, Mark can be naive and Eduardo is cautious, they both are emotional people, and they both defend each other. To begin with, Eduardo and Mark are different because Eduardo is not a very social person and Eduardo is a social person. Mark can be rude and blunt about what he has to say, he doesnt lie. The very beginning of the movie is a perfect example of his lack of social skills. In the beginning of the movie he has a girlfriend and they are talking about how he wants to get into a final club at his school. She talks to him about which one is the easiest to get into and right away he becomes offended as if shes implying that he cant get into a more difficult one. He begins to insult her and her intelligence basically telling her that she isnt as smart as he is. We will write a custom essay sample on The Social Network Compare and Contrast or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Another example is after he insults her she breaks up with him and leaves him at the bar to go home. He rushes home and starts blogging about all the things that are wrong about her. He calls her mean names, makes fun of her, and revels embarrassing details about her. This shows just how much his social skills are lacking. Eduardo on the other hand is a very social and likeable person. Eduardo makes friends easier than Mark does. One example is Eduardo got accepted into the Phoenix Club which is the one Mark wanted to get into. Those clubs consist of many social events and getting to know a lot of people. For Eduardo thats easy because during the first steps of getting into the club he knows all of his facts and sort of impresses the leader. In addition to, they are also different because Mark can be gullible and impulsive while Eduardo can be cautious and considers the consequences. Mark can be gullible because in one of the scenes he totally falls for Sean Parkers charm. In the scene where they first meet Sean Parker its easy to see that Mark believes every word he says and is also willing to do whatever he says. In that same scene Eduardo questions everything he says and doesnt want to give into what Sean Parker has to say. Its easy to tell that Eduardo is doubting him and pointing out all the things that have gone wrong with what hes done so far. An example of Mark being impulsive is when he hacks the school and sets up the face match up page. He doesnt even think about what the outcome and the consequences while hes doing that, he doesnt even really seem to care either. Also in the same scene again, Eduardo shows he does think of the outcomes and consequences when he asks Mark if he really wants to do the face match up page. He thinks about what people will think and how they will react to the page they are creating. Moreover, Mark and Eduardo are also similar to each other because they are both emotional people. They both show their feelings openly and its clearly shown when In the scene where Erika breaks up with Mark his emotional side shows up when he goes home and blogs about her. He doesnt think about how much he will hurt Erikas feeling because hes so angry at the moment. Another example of is when Eduardo freezes up the bank account and Mark doesnt like that at all. When Eduardo does that Mark cuts Eduardos share and basically takes him off as the co founder of Facebook. An example of Eduardos emotional side is when he goes to California to help Mark with Facebook and sees Sean Parker and the things they were doing. When Eduardo walks into that he gets really angry, tells Mark that he doesnt trust Sean, and goes to the bank to freeze his account so that they no longer have access the money. Last, they both defend each other and they have a real true friendship with each other. No matter the circumstances they always stand up for each other, even when they fight and during the law suit. In one scene during the movie Mark is in a lawsuit with Eduardo the lawyers accuse Mark of something and Eduardo stands up for him. Later when Marks lawyer talks about how Eduardo was accused to animal cruelty Eduardo gets so angry at Mark for telling his lawyers about that. Afterward, when Eduardo is done being shocked Marks lawyer points out that when he brought it up Mark actually stood up for Eduardo. They have an honest friendship and even when they are fighting they still try to protect each other. When in the lawsuit with the Winklevoss Brothers their lawyer brings up Marks lawsuit with Eduardo and Mark talks about how Eduardo is his best friend. They are in a way still friends even though they are fighting with each other. Furthermore, having to choose which character is more admirable it would have to be Edurado Saverin. Mark Zuckerburg really cares about Facebook and did everything he could for it but Eduardo is still more admirable. He had good judgment for the most part in the movie and only slipped up once when he signed that contract but he always doubted Sean Parker. He put forth so much money and effort into Facebook. He would go to meet with people to talk about Facebook to make it better. He actually cared about what other people thought and considered peoples feelings. It wasnt difficult to tell that being apart of Facebook actually made him very happy. He was made out to seem not as important as Mark but hes actually just as important because without his money it really wouldnt have happened. Mark and Eduardo are similar yet different and thats what makes them best friends.

Origins and Schools of Abstract Art

Origins and Schools of Abstract Art Abstract art (sometimes called nonobjective art) is a painting or sculpture  that does not depict a person, place, or thing in the natural world. With abstract art, the subject of the work is what you see: color, shapes, brushstrokes, size, scale, and, in some cases, the process itself, as in  action painting.   Abstract artists strive to be non-objective and non-representational, allowing the viewer to interpret each artworks meaning in their own way. Thus, abstract art is not an exaggerated or distorted view of the world such as we see in the Cubist paintings of Paul Cà ©zanne  and  Pablo Picasso, for they present a type of conceptual realism. Instead, form and color become the focus and the subject of the piece. While some people may argue that abstract art does not require the technical skills of representational art, others would beg to differ. It has, indeed, become one of the major debates in modern art. Of all the arts,  abstract painting  is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for colors, and that you be a true poet. This last is essential.  Ã¢â‚¬â€œWassily Kandinsky. The Origins of Abstract Art Art historians typically identify the early 20th century as an important historical moment in the history of  abstract art. During this time, artists worked to create what they defined  as pure art: creative works that were not grounded in visual perceptions, but in the imagination of the artist. Influential works from this time period include Picture with a Circle (1911) by the Russian artist  Wassily Kandinsky  and Francis Picabias Caoutchouc  (1909). The roots of abstract art, however, can be traced back much further. Earlier artistic movements such as the 19th centurys  Impressionism and Expressionism were experimenting with the idea that painting can capture emotion and subjectivity. It need not simply focus on seemingly objective visual perceptions. Going back even further, many ancient rock paintings, textile patterns, and pottery designs captured a symbolic reality rather than attempting to present objects as we see them. Early Influential Abstract Artists Kandinsky (1866–1944) is often noted as one of the most influential abstract artists. A view of how his style developed over the years  is a fascinating look at the movement as he progressed from  representational to pure abstract art. He was also adept at explaining how an abstract artist may use color to give a seemingly meaningless work purpose. Kandinsky believed that colors provoke emotions. Red was lively and confident; green was peaceful with inner strength; blue was deep and supernatural; yellow could be warm, exciting, disturbing or totally bonkers; and white seemed silent but full of possibilities. He also assigned instrument tones to go with each color. Red sounded like a trumpet; green sounded like a middle-position violin; light blue sounded like a flute; dark blue sounded like a cello, yellow sounded like a fanfare of trumpets; white sounded like the pause in a harmonious melody. These analogies to sounds came from Kandinskys appreciation for music, especially the works of the contemporary Viennese composer Arnold Schoenberg (1874–1951). Kandinskys titles often refer to the colors in the composition or to music, for example, Improvisation 28 and Composition II.   The French artist Robert Delaunay (1885–1941) belonged to Kandinskys Blue Rider (Die Blaue Reiter) group. With his wife, Russian-born Sonia Delaunay-Turk (1885–1979), they both gravitated toward abstraction in their own movement, Orphism or Orphic Cubism. Examples of Abstract Art and Artists Today, abstract art is often an umbrella term that encompasses a wide range of styles and art movements. Included among these are  nonrepresentational art, nonobjective art, abstract expressionism, art informel  (a form of gestural art), and even some op art (optical art, referring to art that makes use of optical illusions). Abstract art may be gestural, geometric, fluid, or figurative (implying things that are not visual such as emotion, sound, or spirituality). While we tend to associate abstract art with painting and sculpture, it can apply to any visual medium, including  assemblage  and photography. Yet, it is the painters that get the most attention in this movement. There are many notable artists who represent the various approaches one may take to abstract art and they have had considerable influence on modern art. Carlo Carr  (1881–1966) was an Italian painter best known for his work in Futurism, a form of abstract art which emphasized the energy and fast-changing technology of the early 20th century. Over his career, he worked in Cubism as well and many of his paintings were abstractions of reality. However, his manifesto, Painting of Sounds, Noises and Smells  (1913) influenced many abstract artists. It explains his fascination with synaesthesia, a sensory crossover in which, for example, one smells a color, which is at the heart of many abstract artworks.Umberto Boccioni (1882–1916) was another Italian Futurist who focused on geometric forms and was heavily influenced by Cubism. His work often depicts physical motion as is seen in  States of Mind (1911). This series of three paintings capture the motion and emotion of a train station rather than the physical depiction of passengers and trains.Kazimir Malevich (1878–1935) was a Russian painter whom many describe as a pioneer of geometric abstract art. One of his best-known works is  Black Square (1915). It is simplistic but absolutely fascinating to art historians because, as an analysis from the Tate mentions, It is the first time someone made a painting that wasnt of something.   Jackson Pollock (1912–1956), an American painter, is often given as the ideal representation of Abstract Expressionism, or action painting. His work is more than drips and splashes of paint on canvas, but fully gestural and rhythmic and often employed very non-traditional techniques. For instance, Full Fathom Five  (1947)  is an oil on canvas created, in part, with tacks, coins, cigarettes, and much more. Some of his work, such as There Were Seven in Eight (1945) are huge, stretching over eight feet in width.Mark Rothko (1903–1970) took the geometric abstracts of Malevich to a new level of modernism with color-field painting. This American painter rose in the 1940s and simplified color into a subject all on its own, redefining abstract art for the next generation. His paintings, such as  Four Darks in Red  (1958) and Orange, Red, and Yellow (1961), are as notable for their style as they are for their large size.